In contrast to the acoustic bass strings electric bass when called by pickups (pickup) instead of the microphone off. It is recommended that the cartridges so that all strings are equally loud. There are pickups for both top and bottom bolts, which can be the distance to the strings can adjust. Ideally, the bass player plays on the "humbucker" pickup (usually the lowest setting of the toggle switch). Here are 2 sources phase mixed together so that Einsteuungen (noise) and humming noises blot. Cable is recommended as a "low-capacitance cable," the best retailers in demand.
Choice of microphone
We recommend the following models: MD421/441, RE-20, KM-87, Beyer MC-740, C414. We recommend the following models: MD421/441, RE-20, KM-87, Beyer MC-740, C414. If a bass speaker to be removed, it must be with so-called "crosstalk" expected. If a bass speaker to be removed, it must be with so-called "cross talk" expected. The Basses are involuntarily in all other open microphones. The bass are involuntarily in all other open microphones. As a workaround, you can the bass when recording into a separate room are. As a workaround, you can the bass when recording into a separate room are.
Placement of the microphone placement of the microphone
If the microphone is very close to the speakers ( "close miking"), a cleaner sound. If the microphone is very close to the speakers ( "close miking"), a cleaner sound. In Metal sounding live rock or can be a second micro about 3m away draw. In Metal sounding live rock or can be a second micro about 3m away draw. Alternatively you can simply mix in a little reverb to add. Alternatively you can simply mix in a little reverb to add.
Direct vs. decrease. Direct vs. decrease. Micro Micro
Both have its advantages and disadvantages. Both have its advantages and disadvantages. The signal directly accepted sounds clean and transparent, the microphone signal sounds natural, warm and provides pressure. The signal directly accepted sounds clean and transparent, the microphone signal sounds natural, warm and provides pressure. The direct loss is via a so-called DI-box, because an impedance conversion vorgnommen be. The direct loss is via a so-called DI-box, because of impedance conversion vorgnommen be. The signal from DI Box and Micro can also be mixed. The signal from DI Box and Micro can also be mixed. The DI signal is then for the hi-frequencies and the signal for the micro-printing. The signal is then Tuesday for the hi-frequencies and the signal for the micro-printing. The microphone signal should be compressed so much. The microphone signal should be compressed so much.
Other indications other notes
When loud sounds can lead to differential and Summationstönen between original and subbass (Zupfgeräusch) can occur. When loud sounds can lead to differential between original and Summationstönen and Subbass (Zupfgeräusch) can occur. Remedy against: bass volume down a little twist! Remedy Against: bass volume down a little twist!
An interesting variation on the bass recording is the "doubling" (Creating the 1st floor Tones). An interesting variation on the bass recording is the "doubling" (Creating the 1st floor Tones). This is the same bass line an octave higher again recorded. This is the same bass line to octave higher again recorded. This leads to a warm sound and is more vivid than the usual pitch shifter effect presets in the device. This leads to a warm sound and is more vivid than the usual pitch shifter effect presets in the device.
While recording drummer need a very basslastigen mix on their headphones, so they are good for the bass rhythm to follow. While recording drummer need a very basslastigen mix on their headphones, so they are good for the bass rhythm to follow.
destructive destructive Equalizer Equalizer
The two lowest octaves, which gives the bass should be linear (+ / - 3dB) are made. The two lowest Octaves, which gives the bass should be linear (+ / - 3dB) are made. This means that one per equalizer ensures that in the range between 55 Hz (A-contra) and 125 Hz (low C) is less than 3 db volume differences in the frequency bands prevail. This means that one per equalizer ensures that in the range between 55 Hz (A-contra) and 125 Hz (low C) is less than 3 db volume differences in the frequency bands prevail. The bandwidth (width) of the equalizer should be 0.2 octaves or less. The bandwidth (width) of the equalizer should be 0.2 or less Octaves.
When you slap bass, a feedbackhnliches distortion (2-3kHz) occur. When you slap bass, a feedbackhnliches distortion (2-3kHz) occur. We should be in the reception already removed. We should be in the reception already removed.
Compressor Compressor
Attack: 4-8 ms Attack: 4-8 ms
Release: 0,3-1 sec. Release: 0,3-1 sec
Ratio: 4:1 - 10:1 Ratio: 4:1 - 10:1
The release time, depending on the selected note length: 0.3 sec. The release time, depending on the selected note length: 0.3 sec or less for short notes, 1 sec. or less for short notes, 1 sec in long notes. during long notes. The shorter the release time, the more grip noises are audible. The shorter the release time, the more grip noises are audible. When slapping, or strong dynamics, the "rational" very high. When slapping, or strong dynamics, the "rational" very high.
Effects Effects
If the electric bass as an A bass should sound (for jazz and blues ballads): If the electric bass as an A bass should sound (for jazz and blues ballads):
There lies the DI signal and boostet close range with the Zupfgeräusch, as well as the frequency range of 1 kHz and processed the signal with a noise gate. There lies the signal and Tuesday boostet close range with the Zupfgeräusch, as well as the frequency range of 1 kHz and processed the signal with a noise gate. The "threshold" of this noise gates must be just above the Zupfgeräusches lie. The "threshold" of this noise gates must be just above the Zupfgeräusches lie.
Attack: 10-20 ms Attack: 10-20 ms
Release: 0.5 sec Release: 0.5 sec
Range: -20 to -30 dB range: -20 to -30 dB
The two signals are mixed and processed with EQ to publish the best components. The two signals are mixed and processed with EQ to publish the best components.
Reverb should only sparingly, as it easily the bass signal to make slushy. Reverb should only sparingly, as it easily the bass signal to make slushy. You can, for example, a "plate" to use Hall (Hall Time 1 sec. Or less). You can, for example, a "plate" to use Hall (Hall, Time 1 sec or less). A short reverb with no pre delay "can handle noise obstructed. A short reverb with no pre delay "can handle noise obstructed. A reduction by EQ at 200-500 Hz in the FX return will provide more Klahrheit. A reduction by EQ at 200-500 Hz in the FX return will provide more Klahrheit. For Heavy Metal and Live Rock should be a short hall with "pre delay". For heavy metal and Live Rock should be a short hall with "pre delay".
Flanging can make the bass warmer. Flanging can make the bass warm. It may be the bass but also take pressure. It may be the bass but also take pressure. That's why you should return in the FX or even better in the FX send all frequencies below 150 Hz rausnehmen. That's why you should return in the FX or even better in the FX send all frequencies below 150 Hz rausnehmen. Effective sounds also send a short flangers Hall. Effective sounds so send a short Flanger Hall. If the micro-signal sent by a flanger, then the sound dreckig (The Cure). If the micro-wave signal sent by a flanger, then the sound dreckig (The Cure).
Stereo effects to stereo effect, you should use the bass with two amplifiers / speakers and play them separately decline. Stereo effects to stereo effect, you should use the bass with two amplifiers / speakers and play them separately decline. Thus, the Sterobasis larger. Thus, the larger Sterobasis. The problem with stereo effects for the bass is that you preset effects so often heard. The problem with stereo effects for the bass is that you preset effects so often heard.
Mono and stereo flanging chorus gives good sound. Mono and stereo flanging chorus gives good sound.
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