Remembering Sid Vicious

This entry should really be headed Warren Says, since all of the information below comes from former CHARTattack sales guru Warren Campbell. He's been on a major Sex Pistols kick lately and, to commemorate today's 30th anniversary of Sid Vicious' drug overdose death, he offers these interesting tidbits about the former Sex Pistols bassist:

His father was a guard at Buckingham Palace.

He got his stage name from Sex Pistols singer Johnny Rotten's hamster.

His bass playing isn't heard on Never Mind The Bollocks.

He asked Motorhead's Lemmy for advice on how to play bass after he joined the Sex Pistols. "I can't play bass," he said, and Lemmy responded, "I know."

There are rumours that some of his ashes were spread over girlfriend Nancy Spungeon's grave and others were sucked into the ventilation system at Heathrow Airport in London, England.

He was the original drummer for Siouxsie & The Banshees.

He first met John Lydon (a.k.a. Johnny Rotten) at Hackney Technical College.

When the Sex Pistols brought him into the band to replace bassist Glen Matlock, The Clash refused to perform on any bill with them because guitarist Mick Jones was Jewish and took offence to Vicious' Nazi regalia.

He invented pogo-dancing when he was at a Sex Pistols show and couldn't see the band, so he started jumping up and down.

A thousand punks marched in London's Hyde Park on the first anniversary of his death. His mother was going to take part, but she was recovering in hospital from a drug overdose.

He wore a padlock around his neck that his mother later gave to actor Gary Oldman, who portrayed him in Sid & Nancy.

After his arrest for killing Spungeon, bail of $50,000 U.S. was posted and plans were put in place by manager Malcolm McLaren for an album to be recorded with Sex Pistols guitarist Steve Jones and drummer Paul Cook. The album would have consisted entirely of standards, including "White Christmas" and "Mack The Knife."

There are at least seven semi-official Vicious records: Sid Vicious & Friends; Live At The Electric Ballroom; Never Mind The Reunion Here's Sid Vicious; Sid Dead Live; Sid Sings; Too Fast To Live; and The Idols With Sid Vicious. Most of these recordings contain music from various performances he gave while living in New York City.

By Steve Mclean
http://www.chartattack.com/

Bass Guitars Evolution

This is a musical instrument of the string family. At the same time, it belongs to the guitar family, with a larger body and longer neck allowing longer musical distance or scale length. It's fingered or picked to vibrate its strings and therefore produce sound. This instrument is usually used with 4 strings, tuned one octave lower than the guitar

The bass guitar has been used by the music world for centuries. The 15th century “Viola da Gamba” was among the earliest known bass instrument. It was over 8 feet tall, with 6 to 7 strings, tuned similar to the present day double bass. With a fretted neck, a bow was used to play it. This overall look of “Viola de Gamba” has not changed in the next centuries. The size, shape, tone, parts, and woods were much the same although there were several variations in the number of strings.


THE EVOLUTION
The succeeding centuries would use strings ranging from 3 to 7. Throughout Europe, 3 and 4 string basses were used for 300 years. Germany and Austria used 4 to 5 strings until the 19th century while Italy, France and England used mainly the 3-string configuration until the 1870's. The next decades saw the dominance of the 4-string bass.

Starting from the 19th century, drastic changes were introduced initiated by Paul Tutmarc in the 1930's. He designed a bass that was very similar to a guitar, hand-held and carried and can be played horizontally. This concept was followed in the 1950s and 1960s by Leo Fender. The Leo Fender bass became the master model for the mass produced bass guitar. In 1971, the boutique or high end electric bass was introduced. In the 1979 new products were born such as the headless bass-the tuning machines are in the bridge. In the 1980's other innovations using new materials such as graphite were marketed. In 1987, the Ashbory bass was launched-ultra small body, 100% portable/light weight, nylon strings with an unexpected big bottomed sound.


MATERIALS & CONSTRUCTION
The usual material used for basses is wood (most common is alder for the body, or exotic woods such as bubinga, wenge, ovangkol, ebony or goncalo alves; maple or ash for the neck or graphite and carbon fiber for lightweight necks; and rosewood for the fretboard). Apart from aesthetic reasons, careful selection of material must be done because the material used has a significant effect on the timbre of the bass guitar. For the final finish, lacquer, wax and oil is used. With the advent of artificial materials such as luthite, unique production methods such as die-casting can be employed to allow manufacture of complex body shapes that would in turn allow convenience in holding the instrument.

Most bass guitars have solid bodies but can also have hollow chambers for increased resonance or to lessen the weight of the instrument. But caution must be noted as hollow bodies change the tone and resonance of the bass guitar. For the strings, all-metal (roundwound or flatwound) with coverings of either tapewound or plastic coatings, and non-metal strings made of nylon are used.


BASSES & GUITARS
Though from the family of guitars, a bass guitar has striking differences from the guitar. The simplest and basic difference is the pitch range of the instruments. Bass guitar plays notes an octave lower than a guitar.

Another unique difference is in the quality of sound produced by a bass. A bass guitar has a unique way of producing sound if played with the fingers or plucked. If played with the fingers using 2, 3 or 4 fingers, the bass guitar can create different rhythms and produce tonal differences that wouldn’t be possible if the instrument is played with a pick.

Another difference is the role the instrument plays in a musical group. Although the bass is very critical in the band, it normally would play a secondary role. Though the bass guitar could have solo acts and could play much like that of a guitar, traditionally (what is usually expected by people), a guitar is more visible or is more in the frontline or spotlight.

Though normally playing secondary roles, these roles played by the bass guitar varies depending on the type of music. The degree of prominence may also differ depending on the genre. The bass guitar is normally used to provide the low-pitched bass lines in pop music and jazz. It is used as a solo instrument in jazz, fusion, Latin, and funk styles. Rock and Roll, heavy metal, punk, reggae, and soul also use bass guitar as a solo instrument.

The bass guitar plays varied roles for orchestral settings. Traditionally, orchestral settings employ the double bass guitar but 20th century composers have started to use the electric bass


FAMOUS BASSISTS
Some of the famous bassists are Jimmy Blanton and Charles Mingus. Jimmy Blanton was a virtuoso bassist playing the bass like a horn producing melodic lines. He is regarded as the first true master of the jazz bass. Charles Mingus was an American jazz credited with hot and soul feel jazz music. Other well-known bass players are Stefan Lessard, Victor Wooten, Flea and James Jamerson. Stefan Kahil Lessard is the bassist for the Dave Matthews Band. Victor Wooten is regarded as the most influential bassist and is a member of the Bela Fleck & the Flectones, a Grammy-awarded group

Flea or Michael Perter Balzary was born in Melbourne Australia, migrated to the U.S. and is a member of the famous L.A. band, Red Hot Chili Peppers. James Jamerson is an influential bassist from the band, Motown


ABOUT THE TECHNIQUES
Various methods are used in playing the bass. The “slap and pop” method popularized in the 1960s till 1970s by Larry Graham of the Sly and Family Stone is produced by thumping a string with the thumb and snapping the strings with the index or middle fingers. Such technique produces percussive sounds. This technique was further improved by Stanley Clarke and Louis Johnson and is used by other bassist in other genres such as rock bassists Flea, JJ Burnel and Les Claypool; jazz-fusion bassist Victor Wooten. Later on Wooten developed other methods. He popularized the "double thump" method wherein the string is slapped twice, on the upstroke and a downstroke.


Luciano Figallo
http://www.guitar4ever.net/

Bass history

1930s

In the 1930s, inventor Paul Tutmarc from Seattle, Washington, developed the first guitar-style electric bass instrument that was fretted and designed to be held and played horizontally. The 1935 sales catalogue for Tutmarc's company, Audiovox, featured his "electronic bass fiddle," a four stringed, solid bodied, fretted electric bass guitar with a 30 ½" scale length. The change to a "guitar" form made the instrument easier to hold and transport, and the addition of guitar-style frets enabled bassists to play in tune more easily and made the new electric bass easier to learn. However, Tutmarc's inventions never caught the public imagination, and little further development of the instrument took place until the 1950s.

1950s-1960s

In the 1950s, Leo Fender developed the first mass-produced electric bass. His Fender Precision Bass, introduced in 1951, became a widely copied industry standard. The Precision Bass (or "P-bass") evolved from a simple, uncontoured 'slab' body design similar to that of a Telecaster with a single coil pickup, to a contoured body design with beveled edges for comfort and a single four-pole "split coil pickup."
Gibson EB-3.
Gibson EB-3.
Rickenbacker 4001
Rickenbacker 4001

Following Fender's lead, Gibson released the violin-shaped EB-1 Bass in 19533, followed by the more conventional-looking EB-0 Bass in 1959. As with Fender's designs, Gibson relied heavily upon an existing guitar design for this bass; the EB-0 was very similar to a Gibson SG in appearance (although the earliest examples have a slab-sided body shape closer to that of the double-cutaway Les Paul Special).

Whereas Fender basses had pickups mounted in positions in between the base of the neck and the top of the bridge, many of Gibson's early basses featured one humbucking pickup mounted directly against the neck pocket. The EB-3, introduced in 1961, also had a "mini-humbucker" at the bridge position. Gibson basses also tended to be smaller, sleeker instruments; Gibson did not produce a 34" scale bass until 1963 with the release of the Thunderbird, which was also the first Gibson bass to utilize dual-humbucking pickups in a more traditional position, about halfway between the neck and bridge.

A small number of other companies such as Rickenbacker, Danelectro and Hofner also began manufacturing bass guitars during the 1950's. With the explosion of the popularity of rock music in the 1960s many more manufacturers began making bass guitars.

First introduced in 1960, The Fender Jazz Bass was known as the Deluxe Bass and was meant to accompany the Jazzmaster guitar. The Jazz Bass (often referred to as a "J-bass") featured two single-coil pickups, one close to the bridge and one in the Precision bass' split coil pickup position, and was designed by Leo Fender to be an easier bass for a guitarist to play than the existing Precision Bass, due to the narrower nut (noted later). The earliest production basses had a 'stacked' volume and tone control for each pickup. This was soon changed to the familiar configuration of a volume control for each pickup, and a single, passive tone control. The Jazz Bass' neck was narrower at the nut than the Precision bass (1½" versus 1¾").

Another visual difference that set the Jazz Bass apart from the Precision is its "offset-waist" body. Pickup shapes on electric basses are often referred to as "P" or "J" pickups in reference to the visual and electrical differences between the Precision Bass and Jazz Bass pickups. Fender also began production of the Mustang Bass; a 30" scale length instrument used by bassists such as Tina Weymouth of Talking Heads ("P" and "J" basses have a scale length of 34", a design echoed on most current production electric basses of all makes).

In the 1950s and 1960s, the term "Fender bass" was widely used to describe the bass guitar, due to Fender's early dominance in the market for mass-produced bass guitars. The term "electric bass" began replacing "Fender bass" in the late 1960s, however, as evidenced by the title of Carol Kaye's popular bass instructional book in 1969 (How to Play the Electric Bass) and the use of the term "electric bass" by U.S. musicians' unions. The instrument is also referred to as an "electric bass guitar", "electronic bass", or simply "bass".


1970s

The 1970s saw the founding of Music Man Instruments, owned by Leo Fender, which produced the StingRay, the first widely-produced bass with active (powered) electronics. This amounts to an impedance buffering pre-amplifier on-board the instrument to lower the output impedance of the bass's pickup circuit, increasing low-end output, and overall frequency response (more lows and highs). Specific models became identified with particular styles of music, such as the Rickenbacker 4001 series, which became identified with progressive rock bassists like Chris Squire of Yes, while the StingRay was used by Louis Johnson of the funk band The Brothers Johnson.

In 1971 Alembic established the template for what would subsequently be known as "boutique" or "high end" electric basses. These expensive, custom-tailored instruments featured unique designs, premium wood bodies chosen and hand-finished by master craftspeople, onboard electronics for preamplification and equalization, and innovative construction techniques such as multi-laminate neck-through-body construction and graphite necks. In the mid-1970s, Alembic and other "boutique" bass manufacturers such as Tobias, and Ken Smith produced 4- string basses and 5-string basses with a low "B" string. In 1975, bassist Anthony Jackson commissioned luthier Carl Thompson to a 6-string bass tuned (low to high) B, E, A, D, G, C.

1980s-2000s

In the 1980s, bass designers continued to explore new approaches. Ned Steinberger introduced a headless bass in 1979 and continued his innovations in the 1980s, using graphite and other new materials and (in 1984) introducing the Trans-Trem tremolo bar. In 1987, the Guild Guitar Corporation launched the fretless Ashbory bass, which used silicone rubber strings and a piezoelectric pickup to achieve a "double bass" sound with a short 18" scale length. In the late 1980s, MTV's "Unplugged" show helped to popularize hollow-bodied acoustic bass guitars amplified with pickups.

During the 1990s, as five-string basses became more widely available and more affordable, an increasing number of bassists in genres ranging from metal to gospel began using five-string instruments for added lower range. As well, the onboard battery-powered electronics such as preamplifiers and equalizer circuits, which were previously only available on expensive "boutique" instruments, became increasingly available on modestly-priced basses.

In the 2000s, some bass manufacturers included digital modelling circuits inside the instrument to recreate tones and sounds from many models of basses (e.g., Line 6's Variax bass). Traditional bass designs such as the Fender Precision Bass and Fender Jazz Bass remain popular in the 2000s; in 2006, a 60th Anniversary P-bass was introduced by Fender.

www.wikipedia.org

Electric Guitar Bass

The electric bass guitar is a bass stringed instrument played primarily with the fingers (either by plucking, slapping, popping, or tapping) or using a pick. The bass is similar in appearance and construction to an electric guitar, but with a larger body, a longer neck and scale length, and usually four strings tuned one octave lower in pitch than the four lower strings of a guitar.

Since the 1950s, the electric bass guitar has largely replaced the double bass in popular music. The bass guitar provides the low-pitched bassline(s) and bass runs in many different styles of music ranging from rock and metal to blues and jazz. It is also used as a soloing instrument in jazz, fusion, Latin, funk, and rock styles.